Foto: Youri Lenquette
Auf den ersten Blick erscheint es unwahrscheinlich, dass sich ein senegalesischer Griot, der die traditionelle 21-saitige Kora spielt, und ein deutscher Trompeter, der in New York lebt, musikalisch viel zu sagen hätten. Doch das Album Sira der beiden interkulturellen Protagonisten Ablaye Cissoko und Volker Goetze tritt genau den Gegenbeweis an.
Sira begeistert mit 10 inspirierenden Stücken, die getragen werden von Cissokos virtuosem Spiel und seinem eindringlichen Gesang stammt er doch aus einer Familie, die seit Jahrhunderten die Griot-Tradition weitervererbt. Cissokos Geschichten werden vom klassisch geschulten Trompeter Goetze kongenial umwoben mit feinen Melodien und Motiven.
Das Ergebnis ist World-Music im besten Sinne, aufgenommen im Senegal ohne Zuhilfenahme weiterer Musiker. Brillant im Klang und exquisit verpackt (wie alle ObliqSound-Produktionen) eröffnet Sira eine neue atmosphärische, meditative Hör-Erfahrung, die ohne Zweifel Genre-übergreifend ist.
Obendrein stellen sich beide Musiker in den Dienst einer guten Sache: 10 Prozent der Einnahmen stiften sie der Organisation Tostan, die sich gerade um die Ärmsten der Armen in entlegenen Gebieten Afrikas kümmert (www.tostan.org).
ABLAYE CISSOKO_VOLKER GOETZE
The mutual admiration society that is Volker Goetze and Ablaye Cissoko owes itself to a serendipitous meeting that took place in 2001 at the African-European Jazz Orchestra rehearsals in Saint-Louis, Senegal, where theyd been invited to open for Senegalese legend Youssou NDour. Despite any cultural barriers that separated them, the German-born trumpeter and the Senegalese kora player and singer discovered they had much in common, both musically and personally. Their commonalities can be heard on Sira, which is an album that reaffirms the maxim that music is the universal language. The album releases in October 2008 on ObliqSound.
He comes from the griot tradition. My grandfathers were highly respected spiritual leaders, says Goetze. I learn from him and he learns from me. Our music is very much created in the moment, but we understand each other on a much deeper level. It was their willingness to absorb new ideas that attracted them to each other. Although Cissoko is wellversed in the traditional music of West Africa, passed along from generation to generation, he has always been a seeker, keeping his ears open for new experiences. Despite his ties to West African traditional music, Cissoko is also a huge fan of jazz, and worked with pianist/composer Randy Weston and others prior to the project with Goetze. My early influences, he says, come from Keith Jarrett, French saxophonist François Jeanneau, Asian and Senegalese music and, of course, Mandingue music,the music of my ancestors.
His immersion in jazz, and Goetzes fascination with African music, made them natural candidates for collaboration. I was fortunate to have experienced some of the greatest innovators of jazz live in concert, says Goetze, like Miles Davis, Ornette Coleman, Don Cherry, Wayne Shorter, the Gil Evans Big Band and Joe Henderson. They touched and moved me. That is what I am looking for in music, which is one reason I had to go to Africa. I also am a huge fan of Youssou NDour. Goetze, who has collaborated with some of the most important figures of the contemporary music scene, including Naná Vasconcelos, Craig Handy and Lenny Pickett, sees similarities between Cissokos griot tradition and that of jazz: [Griot music] is not written; it changes with the epoch and the performance, which is similar to jazz and improvisation.
It is our differences that become real strength, adds Cissoko, who has released two previous solo albums, 2000s Diam and 2006s Le Griot Rouge, prior to the duo album Sira. I adapt myself to the context. I have in myself this ancient tradition of communication. Its like the branches of a baobob tree, which can touch those of another tree. Im one of these branches. Volker and I are two musicians of the same generation with different sensibilities, who become one indivisible entity by speaking with our instruments.
Legendary music photographer Youri Lenquette (Keith Richards, Kurt Cobain, Lou Reed, Prince, Leonard Cohen, Bob Marley) captured Cissoko and Goetze in Senegal in an extraordinary photo-shoot during the recording of the album. The most striking images will be included in Siras album packaging and the iTunes digital booklet. Music videos, selected photos and audio snippets will be available for exploration on